Altering environment and space is our bread and butter. The artwork that fills our homes, our offices, and our cities directly shapes how we perceive things throughout our day to day lives. A simple change to the colors of the walls in a home can give it a completely new life, or adding a moving piece of artwork to the walls will certainly alter your mood.
Street art has been given a bad rap for several decades because of this same effect. While a great deal of street art can be labeled as vandalism, many took it as a form of expression and beautification, a way of taking back their visual space from the buildings that took it away from them. Street art has evolved into something far more than vandalism, and many communities around the world are embracing it as the art form that it can be.
One such artist has created yet another revolutionary body of work in this medium, so revolutionary in fact that you may not even be able to call it ‘street art’ or a ‘mural’. It’s one of the most masterful uses of large format visuals we’ve ever seen.
Combining a knack for realism and portraiture with large scale visions [how does he even come up with this stuff?], Jorge Rodriguez Gerada creates on an extremely large scale that is also very accurate. Because of this, his work creates a stunning visual experience. His work doesn’t look gigantic, the world the work lives in looks small. Everything is small in comparison to the work itself.
For his most recent series he untethered himself from the walls and abandoned the idea of a mural project altogether. He started actually painting, marking, and forming the earth itself. Entire parking lots, entire fields, all transformed into moving portraits you can’t even properly observe without being so far away that the rest of the world becomes tiny in comparison, something that was probably very intentional.
To learn more about Gerada and to see a lot more of his work, visit his website here!